| ERASING with BLU-TACK - part 2 |
| A timely
tip from Brian McFann
"I have benefited from your
tip about Blu-Tack. You might warn people that if they let
the Blu-Tack get too near the kneaded eraser (which I think
you call a putty rubber), the two will join and it will
be impossible to separate them". Thanks Brian! |
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Erasing
with Blu-Tack - part 2
If you're new to this page I suggest
you read Part 1 before you continue with this article about the
use of Blu-Tack "wall putty" for erasing - when
you've finished just click on "Continue to Part 2"
at the bottom of the page to get back here.
Spot
and Shape Erasing
Remember
that I said Blu-Tack "is not a putty rubber
as you know it" and that, as a result of its sticky
nature, it removes every grain of graphite? Blu-Tack
is indeed a graphite magnet! All that is required
during any of the following examples is a quick downward
touch to embed the graphite grains for immediate and clean
lifting. You can also try rocking movements or even
twisting but try to avoid any form of dragging. Dragging
(lightly!) is a technique worth exploring but for now accept
that a smudge is the most likely result. |
| Spot
Erasing with Blu-Tack: Blu-Tack is extremely useful in this respect
as it can get into places that other erasers find impossible.
This is particularly true of the final cleaning of
highlights and re-establishing the correct tone of small
areas of importance that have become muddied during the
drawing process. To spot erase
simply take a piece of Blu-Tack and pull a section out into
a point then gently touch the point onto the spot that requires
cleaning (or lightening or removing) and lift up. This
will bring a certain amount of graphite with it. To
continue cleaning, pull a new point and re-apply until the
desired cleanliness is achieved. If you are lightening
an area, try using the same partially graphite-loaded point,
which will now pick up a lesser amount each time you apply
it.
The following example (fig.1) shows the results of spot
cleaning by Blu-Tack - the eye has had the all-important
highlight returned to the necessary white. This is
important as that single highlight often dictates the total
range of tonal contrast throughout the drawing. In
fig.2 and fig.3 the water at the base of the eye has also
been brightened - areas so narrow (the images are 30% larger
than life-size) that no conventional eraser could have succeeded
- not even a kneaded eraser, which does not possess the
inherent non-staining tackiness of Blu-Tack. |
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| Blu-Tack
was also used in all three cases to continually adjust the
form and tone of each iris until the desired effect was
obtained. The putty is so gentle in its removal of
graphite that incredibly subtle changes can be made again
and again without damage to the surface.
Spot erasing was used here to improve the nostril highlight.
Also that on top of the nose, where the detail has
been subtly lightened to blend into the highlight - using
a very light touch, Blu-Tack is able to remove and
fade just a proportion of the graphite, leaving the detail
intact in a way that no other eraser can imitate. |
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| Spot
Erasing using conventional erasers: I have found
only one tool that will do this successfully — apart from
the point of a scalpel, which can be used as a last resort!
The requirement is for a soft eraser that can be reduced
to as near a sharp point as possible and here the Staedtler
fits the description. Of the two versions shown I
use the top one — although this is now unavailable the 528-55
refills for the 528-50 below will fit the old (and more
comfortable and precise) holder. |
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| The
eraser core is capable of being formed to a very fine point
using a conventional pencil sharpener and, with care, can
be used to erase very small areas — but this does need a
mechanical rubbing motion which requires space so, unlike
Blu-Tack, this eraser cannot be used in very restricted
places. |
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| Shape
Erasing: This is part of the much wider
subject of "negative" drawing, which I intend
to cover at a later date. The basics, of course, simply
involve removing already applied graphite to "draw"
light or white shapes within it. Blu-Tack shines at
this - the merest touch leaving a clear sharp-edged impression
of a shape easily pre-formed in the putty. It is exceptional
at suggesting background foliage, hairs in areas of deep
shadow, anywhere that a suggestion is to be preferred
over sharp focus. And for making additions at a late
stage - having, for example, completed a section of foliage
against a dark background you may decide that the section
possesses some imbalance — a touch or two of pre-formed
Blu-Tack will quickly add mid-ground foliage to redress
the balance. A more determined touch or series of
touches can even take 6B almost back to white if further
foreground foliage is desired. |
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The
intention here was to hide the rabbit in the undergrowth
to the point where it was not immediately noticeable. Changes
will have to be made for the intention to succeed. |
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A
little more highlighted interest is required around the
rabbit to distract the viewer's eye. Here I have cut
shapes into the 2B-drawn depths with Blu-Tack - the eraser
point having been roughly formed into leaf shapes between
my finger-tips. |
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The
leaves have been defined and drawn but still more distraction
is required. The rabbit is still too conveniently
framed. New brambles are cut in with Blu-Tack - pinched
into a short knife edge then repeatedly applied along the
required length. |
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The
narrow, erased lines have been defined, shaped into twigs
and textured. I'm happy with this — I don't want the
rabbit so well hidden that it's never found!
Below is the final result in situ. The sample was
taken from my Border Terrier study "Overlooked!". |
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Paper
and Pencil cleaning
Three other uses for Blu-Tack:
Cleaning the paper around your image on completion is a
chore lightened by Blu-Tack. As I explained in complete erasure, form your putty into a fat sausage and
roll it around on the area to be cleaned. This will
efficiently remove all loose graphite and most of that embedded.
Then clean away the last remnants with a clean soft
art eraser for whiter-than-white results.
Whether you use drafting or conventional wood-cased pencils,
it is always a good idea to clean graphite dust and grains
from the business end whenever you sharpen it. I keep
an old lump of Blu-Tack stuck to my drawing-board and just
push the fresh pencil point into it for immediate cleaning.
There was a third use...? Something obscure... Oh,
yes - you can use it fix your finished work to the wall! |
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Where do I find Blu-Tack?
You can order Blu-Tack through
the shopping cart on from our site. Please click the image
below to go to the Blu-Tack order page. |
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“I
just received the Blu-tack... and it really is fantastic!
I am working on a drawing, and as soon as
I tried using the blu-tack, what a difference! I
have about 5 other brands of tacky stuff and nothing
works like this! And you are right that it
gently lifts the graphite without ruining the original
pencil marks. I love it!” Sherry
Szmigiel, USA. The Pawsitive Pet Art Studio |
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TOP TIP
Keep a soft paintbrush handy at all times - I keep a #8
behind my ear! Make a habit of always using the brush
to clear away debris when erasing with your soft art eraser.
This will prevent damage to your drawing, caused by
natural oil from your skin, if you brush it off with your
hand or spots of moisture (or coffee!) if you blow it off.
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All
text content and images copyright ©
2002-2003 M J Sibley Dip.A.D.
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